Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Domenico Beccafumi
St Anthony and the Miracle of the Mule (mk05)

ID: 20317

Domenico Beccafumi St Anthony and the Miracle of the Mule (mk05)
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Domenico Beccafumi St Anthony and the Miracle of the Mule (mk05)


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Domenico Beccafumi

c1486-1551 Domenico Beccafumi Gallery Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.  Related Paintings of Domenico Beccafumi :. | Tanaquil | nativity of the virgin | Fall of the Rebel Angels | Tanaquil | the story of papirius |
Related Artists:
Nils Andersson
1817-1865
Alfred Thorne
painted Insjolandskap med gard in 1886
Philipp Otto Runge
German Romantic Painter, 1777-1810 ..German painter, draughtsman and theorist. He stands alongside Caspar David Friedrich as a leading figure in German Romantic painting even though his early death restricted his oeuvre to relatively few stages of development. The enduring prominence of philosophical and theoretical concerns suggests that further work would have contributed to the history of ideas as well as to that of art. Runge's greatest influence was on later, largely 20th-century artists and thinkers rather than on his immediate contemporaries. While 19th-century developments certainly bore out Runge's claim for a new, symbolic role for landscape,






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